1. Formal and Polite Language: The landlady uses overly polite and formal language, which creates a false sense of security for the protagonist, Billy. This contrast between her friendly demeanor and the chilling events that unfold makes the story even more disturbing.
Examples:
* "Oh, I'm so glad you've come. Do come in. Do come in."
* "The milk's all ready for you. Would you like a little something to eat?"
* "I've been expecting you."
2. Unnatural and Eerie Language: The landlady's language is often odd and unnatural, hinting at her sinister nature. She uses phrases and words that are strangely formal or inappropriate given the context.
Examples:
* "You look just like my son," she said. "He used to be a bit younger than you, but you two are like as two peas."
* "It’s been so lonely here without him."
* "I'm all alone here. The house is too big for me."
3. Descriptive Language: Dahl uses vivid and descriptive language to paint a picture of the creepy setting and the landlady's peculiar personality.
Examples:
* "The house was an old one, and looked as though it hadn't been lived in for years. The paint was peeling off the walls, and the windows were all grimy and dusty."
* "Her eyes were very bright and there was a strange look in them."
* "There was a smell of freshly baked bread in the air."
4. Contrasting Language: Dahl uses contrasting language to highlight the unsettling nature of the situation. For example, the landlady's friendly tone juxtaposed with her sinister actions creates a sense of unease and confusion for the reader.
Examples:
* "She was a very nice old lady," Billy thought. "It was very kind of her to put him up for the night."
* "She gave him a look from her bright, dark eyes that made him feel very uncomfortable."
Overall, the diction in "The Landlady" contributes to the story's unsettling and suspenseful tone. The use of formal, unnatural, and descriptive language, along with contrasting diction, creates a sense of foreboding and mystery that keeps the reader on edge.